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NO THANK YOU Album Review

Following her critically acclaimed 2021 release, Sometimes I Might Be Introvert, British rapper Simbiatu Ajikawo, better known as Little Simz, had mountainous expectations for her next release. With her latest album, NO THANK YOU, she has more than matched them. Rapping unapologetically as ever, with her characteristic North London accent, Simz continues asserting herself as one of hip hop’s most dynamic voices. Simz tackles a number of societal issues in an album that sees her expand on themes she’s introduced over the course of her growing discography. 

I Didn’t Mean to Haunt You by Quadeca Review

It is not often that a formerly corny artist makes a good album. Even rarer is when this artist is a YouTuber who completely changes sound to do so. This is the case of the rapper Quadeca who went from creating YouTube diss tracks to making one of 2022’s best folktronica projects. While some of the sounds were explored in 2021’s “From Me to You,” the level of improvement on the songwriting front here is startling. 

Exploring the Waves of Emo

While this retelling of emo’s story necessarily glosses over some things and leaves out important groups (I’m sorry!), it shows the development of emo music from its hardcore origins to the near genre-less existence where it currently sits.

This New Website Creates a Music Festival Out Of Your Listening History

Music festivals play a huge role in today’s music culture. Festivals such as Coachella, Rolling Loud, and Lollapalooza are opportunities for fans to celebrate music and enjoy their favorite artists in person. Instafest is a new web application that creates an imaginary music festival, with the performing acts based on artists that the user frequently listens to.

Blue Rev by Alvvays Review

Blue Rev, the new studio album released by Canadian indie and dream-pop band Alvvays, was always going to be a process to put together. This process was even more exacerbated by the many problems that all came together to stifle songwriting and recording. Thievery, flooding, COVID, and a whole new rhythm section swept away any hope of finishing their third album with any sort of speed, but despite all this, the record slaps.

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